• Skip to primary navigation
  • Skip to main content
  • Feature
  • Review
  • News
  • Archive
  • Things We Like
  • Shop

insight_

A review by Misha Krynauw

Rot and rebirth: ‘Spring Awakening’ at Southern Guild

A review by Dinika Govender

Material is the message: Nina Barnett & Jeremy Bolen’s ‘Weight in the Air’

A review by Lumumba Mthembu

Hybridity & the politics of the self: ‘Nguni – Kwelakithi’ at KZNSA

A review by Annabelle Wienand

Speculative fiction and speaking in signs: Mack Magagane’s ‘Ellipse’

A review by Isabella Kuijers

Images of shared history: ‘Photo book! Photo-book! Photobook!’ at A4

A review by Barbara Rousseaux & Sindi-Leigh McBride

Testimony & activism: ‘When Rain Clouds Gather: Black South African Women Artists 1940 –...'

A feature by Misha Krynauw

Moments before meaning: A conversation with Lerato Shadi

A review by Sean O'Toole

Raw materials make magic: Bella Knemeyer and Unathi Mkonto

A review by Georgia Munnik

For the haunt: Chanelle Adams’ Ghost Tour of Camphor Avenue

A review by Nkgopoleng Moloi

Cortège, Collision, Composure, Ceremony: Shine Shivan and Jane Alexander in ‘Juxtapositions’

A review by Ben Albertyn

Sleepovers and Other Performances: ICA Live Art Festival 2022

A review by Zoé Samudzi

Evasive ambiguity: Claudette Schreuders’ ‘Doubles’

Newer posts

Nothing more to show!

No more pages to load

  • About
  • Advertise
  • Contact

Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Willem Boshoff, Political Candy Floss, 2009. A hand-printed single-colour Drypoint etching on Hahnemuhle Natural White 300gsm, Each: 78 x 106 cm

Buy

Great

Art