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insight_

A feature by Lindiwe Mngxitama

Of opaque tongues and a poetics of abstraction: A conversation with Kamyar Bineshtarigh 

A review by Misha Krynauw

Mutual Mutations: Jonathan Silverman’s ‘Mineral Vegetal Digital’

A feature by Ashraf Jamal

Plus Ultra: Brett Shuman’s Signs and Sequences

A review by Lumumba Mthembu

Interrupting the Archive: Luvuyo Equiano Nyawose’s  eBhish’

A review by Georgia Munnik

Pulling Forces: Antonia Brown and Matheline Marmy

A review by Lukho Witbooi

Imaginal Renderings: ‘Seeing the Invisible’ in Kirstenbosch Gardens

A feature by Keely Shinners

Cape Town Art Fair: An Editor’s Diary

A review by Dinika Govender

Who Are We Now? ‘Liminal Identities in the Global South’ at JCAF

A feature by Vusumzi Nkomo

The softness of things: An interview with Mongezi Ncaphayi

A feature by M Thesen Law

On Love, Death, and the Divine: Reading Gitte Maria Möller’s work through the Major Arcana

A review by Ben Albertyn

Abyssal simulacra: Phokeng Setai’s ‘This stays between you and me’

A review by Isabella Kuijers

All artworks are vessels: ‘Falling Awake’ by Reservoir

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Mikhael Subotzky, Johnny Fortune, 2004. Pigment inks on archival cotton rag paper, 56 x 78.4 cm

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