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insight_

A feature by Clive van den Berg

Remembering Andrew Verster

A review by Gemma Hart

Tender and Troubling: Brett Charles Seiler’s ‘Closet’

A review by Keely Shinners

Casting Spells: The Stellenbosch Triennale

A feature by Matthew Blackman

The Limits of Categories: Ernest Mancoba Symposium at A4 Foundation

A review by Ashraf Jamal

The Ground Itself: Michael Armitage’s ‘Accomplice’

A review by Misha Krynauw

Undoing of Form: Givan Lötz’s ‘Unearthly’.

A review by Nkgopoleng Moloi

Against Erasure and Forgetting: Sabelo Mlangeni and Igshaan Adams at blank projects

A review by Vusumzi Nkomo

Defending Life: Barthélémy Toguo’s ‘Bilongue’

A review by Isabella Kuijers

Network Not Hierarchy: Otobong Nkanga’s ‘Acts at the Crossroads’

A review by Misha Krynauw

Conservation Entropy: Ruby Swinney’s ‘Hold Still’

A review by Ashraf Jamal

Unstuck Segues: Moshekwa Langa’s ‘Tropic of Capricorn’

A review by Chad Rossouw

Material, form and narrative: ‘Soft Architectures’ at Goodman

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