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How do we look? Vernacular photography in the art space
Precarious new paintings: Jonah Sack’s Column
A Mash-up of Deferred Reconciliation: Thando Mama’s ‘Of Nationhood/Desolation’
Dreams of love and summer: Portia Zvavahera’s I Can Feel It In My Eyes
Painting, digital imagery and text: Jessica Webster’s ‘Murderer’
Blessing Ngobeni: Audacious Commentary on Punch and Judy Politics
Violence, malignancy and the continuing past: Mary Wafer chats to Michael Smith about her exhibition...'
In Conversation with Monique Pelser
Ian Grose: On Art, materiality and materialism
Nothing Wrong with Speaking Back: Thoughts on an Exhibition
An Extravagant Vehicle for Fantastical Content: Athi-Patra Ruga’s The Elder of Azania
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