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Cinga Samson and Andrew Gilbert at Blank Projects
A review by Annemi Conradie & Natasha Norman

Of Silver and Savages: Cinga Samson and Andrew Gilbert at Blank Projects

A review by Niklas Zimmer

How do we look? Vernacular photography in the art space

A review by Mary Corrigall

Precarious new paintings: Jonah Sack’s Column

Thando Mama, Desolation I-V [Film Still], 2015. 5 Channel video, duration variable
A review by

Tim Leibbrandt

A Mash-up of Deferred Reconciliation: Thando Mama’s ‘Of Nationhood/Desolation’

A review by Isabella Kuijers

Dreams of love and summer: Portia Zvavahera’s I Can Feel It In My Eyes

A review by Same Mdluli

Painting, digital imagery and text: Jessica Webster’s ‘Murderer’

Blessing Ngobeni, Untouchable (politician), 2015. Mixed media on canvas, 174 x 300 cm
A review by Isabella Kuijers

Blessing Ngobeni: Audacious Commentary on Punch and Judy Politics

Mary Wafer, Untitled, 2015. Oil on canvas, 90 x 78,7cm
A feature by Michael Smith

Violence, malignancy and the continuing past: Mary Wafer chats to Michael Smith about her exhibition...'

Monique Pelser
A feature by Vincent Bezuidenhout

In Conversation with Monique Pelser

Ian Grose, Dissimulation 13, 2015. Oil on linen, 168 x 149cm
A review by Lwandile Fikeni

Ian Grose: On Art, materiality and materialism

'Speaking Back', installation view: Goodman Gallery Cape Town, 2015
A review by Nkule Mabaso

Nothing Wrong with Speaking Back: Thoughts on an Exhibition

Athi-Patra Ruga, The Elder of Azania, 2015. Performance: National Arts Festival
A review by Anna Stielau

An Extravagant Vehicle for Fantastical Content: Athi-Patra Ruga’s The Elder of Azania

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