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Willem Boshoff, Racist in South Africa, 2011. Anodised aluminium panel. 120 x 120 x 0.3 cm
A feature by

Tim Leibbrandt

Text Type Thing: Form and Content in Willem Boshoff’s Political Text Pieces

Kemang Wa Lehulere Another Homeless Song (for RRR Dhlomo) 1, 2015. Salvaged school desks (wood and steel), music stands, gumboots, paint, porcelain dogs
A review by Vincent Bezuidenhout

Rewriting History: Kemang Wa Lehulere’s History Will Break Your Heart

Jared Ginsburg 'The Natural World parts 2, 3, 4, 5 and 6' 2015. Installation view: blank projects
A review by Mitchell Messina

Jared Ginsburg’s Natural World

Zwelethu Mthethwa (from the Sugar Cane series), 2007. Chromogenic print
A feature by

Chad Rossouw

It’s Time To Talk About Value

A feature by

Chad Rossouw

The Kids Are Doing OK: Brand, Mogale and Nxumalo

Deborah Bell, Return of The Gods: The Ancient Ones I–V,2013 - 2015. Bronze, edition of 6. installation size variable. Installation sound by Philip Miller
A feature by

Tim Leibbrandt

Deborah Bell: ‘I don’t know if I summoned these figures or if they summoned me’

Dan Halter, V for Vendetta, 2015. African masks, dimensions variable
A review by Lwandile Fikeni

Dan Halter: Immigration and the Problematic of Representation

A review by Mpho Moshe Matheolane

Sheets of Imprisonment: Turiya Magadlela’s ‘Kaffersheet’

Dominique Edwards Untitled (2015), Video installation. Time looped
A review by

Tim Leibbrandt

With Pulp: Dominique Edwards’ ‘Buikspraak/Gutspeak’

Mawande Ka Zenzile, Untitled (Memory), 2015. Cow dung, earth, gesso and oil on canvas, 91 x 150 cm © Copyright 2015, STEVENSON. All rights reserved.
A feature by Nkule Mabaso

The Art of the Possible: Mawande Ka Zenzile

A review by Isabella Kuijers

Hazy Worlds: Alexia Vogel’s ‘Lost in Reverie’

Lisa Brice, Untitled xxxviii, (Well Worn 2), 2015. Ink and gesso on cotton, 122 x 102 cm.
A review by Michael Smith

Wearing Well: Lisa Brice’s ‘Well Worn’

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