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A review by Fadzai Muchemwa

Memory in Purgatory: Neville Starling’s ‘Worlds are Made and Unmade’

A review by Lucienne Bestall

Accumulations: Zander Blom’s ‘Garage-ism’

A feature by Ashraf Jamal

Grace of Abstraction: On Mia Thom, Chris Soal, Jennifer Morrison, and Mark Rautenbach

A review by Catherine Rudolph

Capitalist Poetics: ‘The Spectacle’ at THEFOURTH

A picture collection by Artthrob

Art-Binge: Grad Show Edition 2020 [Stellenbosch and Cape Town Creative Academy]

A review by Keely Shinners

An enclosure and an opening: Jeanne Gaigher’s ‘tango’

A review by Nikita Keogotsitse

Elastic Beings: Simphiwe Ndzube’s ‘The Fantastic Ride to Gwadana’

A review by Barnabas Ticha Muvhuti

Rendering the Unseeable: on Pardon Mapondera

A picture collection by Artthrob

Art-Binge: Grad Show Edition 2020 [Rhodes and Ruth Prowse]

A review by Vusumzi Nkomo

The Time of Waiting: Senzeni Marasela’s ‘Waiting for Gebane’

A feature by Misha Krynauw

Colouring Skin: On Tizta Berhanu, Thembinkosi Goniwe, and Dada Khanyisa

A feature by Ashraf Jamal

The Morality of Things: On Kendell Geers

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Clive van den Berg, Cyber Erotics, 2009. A two colour lithographic print on BFK Rives, 66 x 52 cm

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