• Skip to primary navigation
  • Skip to main content
  • Feature
  • Review
  • News
  • Archive
  • Things We Like
  • Shop

Secondary

A review by Barnabas Ticha Muvhuti

Essential Work: Jabulani Dhlamini’s ‘the everyday waiting’

A review by Misha Krynauw

Depths of Dreaming: Akudzwe Elsie Chiwa’s ‘Nocturnes’

A review by Keely Shinners

Let’s have a toast for the douche bags: Ed Young’s ‘I CAN SEE YOUR HOUSE FROM HERE’

A review by Vusumzi Nkomo

Black to the Fullest: Musa N. Nxumalo’s ‘We Are Running Out Of Hashtags!’

A feature by Ashraf Jamal

Object Time: Materialism, Material Ecology, Matter and Stuff

A review by Isabella Kuijers

Suppress the face and head: On self-portraits, Georgina Gratrix and Shane Malone

A feature by Lucienne Bestall

On Reflection: Mirrors and Bodies

A review by Keely Shinners

What’s been left behind: ‘Farewell to good good friends’ at SMITH

A feature by Misha Krynauw

Literature and Linework: On Zona Magadla, Emma Richardson, and Dale Lawrence

A story by Artthrob

Farewell to Good Good Friends: SMITH closes its doors

A review by Khumo Sebambo

In Front Of That Light: Athi-Patra Ruga’s ‘Interior/Exterior / Dramatis Personae’

A review by Dave Mann

Process and tension: Jessica Webster’s ‘A Horse with No Name’

Newer posts

Nothing more to show!

No more pages to load

  • About
  • Advertise
  • Contact

Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Sue Williamson, Amien Hendricks at the seven steps, District Six, 1981. Pigment inks on archival cotton paper, 50 x 67.5 cm

Buy

Great

Art