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A review by Ashraf Jamal

Chicken and Egg: Maurice Mbikayi’s ‘Coucou Crumble’

A review by Keely Shinners

Limits and Reveals: Ashley Walters’ ‘White City’

A picture collection by Artthrob

Art-Binge: Joburg, May 2019

A review by Misha Krynauw

Interconnected Creation: Peter Eastman’s ‘Tangled Hierarchies’

A review by Nkgopoleng Moloi

Sacred shapes, transcendent paint: Portia Zvavahera’s ‘Talitha Cumi’

A review by Cheriese Dilrajh

Making Art History: ‘IKHONO LASENATALI’ at KZNSA

A review by Lloyd Pollak

Romance and Plasticine: Mia Darling’s ‘Things to Hide Behind’

A review by Dave Mann

The Tension of Passing Time: Jabulani Dhlamini’s ‘Isisekelo’

A review by Ashraf Jamal

The Centre of a Star Of Lines: Connor Cullinan’s ‘11.11’

A review by Nolan Stevens

The Inverted Funnel: James Webb’s ‘Three Dreams of the Sinking World’

A picture collection by Artthrob

Art-Binge: Joburg, April 2019

A feature by

Tim Leibbrandt

Venice Biennale 2019: In conversation with curators Nkule Mabaso and Nomusa Makhubu

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Lisa Brice, Untitled, 2007. A three colour lithographic print on Arches paper, 66 x 50.5 cm

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