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Tertiary

Forged. Installation view: SMAC Gallery
A review by Lloyd Pollak

The Forgery of Sculpture

Dan Halter, V for Vendetta, 2015. African masks, dimensions variable
A feature by Matthew Blackman

The Memory of Things Present

Rowan Smith, Nothing Lasts Forever Cecil, 2014. Bronze, powder coated mild steel, tempered glass, swarm of bees, 208.5 x 92 x 74.6 cm (Case alone: 90 x 60 x 73.2 cm)
A picture collection by

Chad Rossouw

The Falling Monument

Burning Museum, Burning Bridges series. Strand street (beneath the N2 flyover, Woodstock) Image from the Van Kalker archive
A feature by Tim Leibbrandt

The Agonistic Politics of Burning Museum

Meleko Mokgosi, Pax Kaffraria: Terra Pericolosa, 2013. Inkjet and charcoal on linen. 5 panels: 84 x 96 inches, 108 x 132 inches, 144 x 84 inches, 108 x 132 inches, 84 x 96 inches. MEM13.001, Jack Shainman Gallery, New York
A story by Artthrob

Meleko Mokgosi at The School, New York

Removal of the UCT Cecil John Rhodes Statue, April 2015
A picture collection by

Matthew Blackman

Public Sculptures at UCT

Kerry Chaloner, nowhere 1, 2014. Sulphur and transparent medium on raw canvas, 100 x 75 x 4 cm
A story by Artthrob

The Claims of the Land

A story by

Chad Rossouw

SAS Somerset

Mary Sibande, A Terrible Beauty is Born, 2013. Digital pigment print, 110 x 321.5 cm © Mary Sibande, courtesy of the artist and Gallery MOMO
A story by The Culture Trip & Tim Leibbrandt

10 Southern African Artworks Fusing Art and Science Fiction

Pierre Fouché, James (detail), 2015. Silk floss, wood, brass pins, 14.4 x 32.8 cm
A review by Anna Stielau

Wound Thread: Pierre Fouché’s lacemaking

Black River Studio
A story by Artthrob

Open Day! Black River Studio

Igshaan Adams Plate 10, from the series 'Neoscope', 2014. Found fabric, thread, brass-plated rail, 120 x 152 cm
A review by Lloyd Pollak

Faith and Ambiguity: Igshaan Adams’ ‘Parda’

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Design by Blackman Rossouw

Walter Oltmann, Lace. Etching on Hahnemuhle paper, 78.5 x 53.5 cm

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