In an account of his personal and national history of Zimbabwe, 'Worlds are Made … [Read more...] about Memory in Purgatory: Neville Starling’s ‘Worlds are Made and Unmade’
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Accumulations: Zander Blom’s ‘Garage-ism’
… But still, why does the dump and its image summon my imagination over and over … [Read more...] about Accumulations: Zander Blom’s ‘Garage-ism’
Grace of Abstraction: On Mia Thom, Chris Soal, Jennifer Morrison, and Mark Rautenbach
Abstraction is a misnomer that assumes one is dealing with ideas and not things … [Read more...] about Grace of Abstraction: On Mia Thom, Chris Soal, Jennifer Morrison, and Mark Rautenbach
Capitalist Poetics: ‘The Spectacle’ at THEFOURTH
The Spectacle comprises of various themed rooms filled with objects that … [Read more...] about Capitalist Poetics: ‘The Spectacle’ at THEFOURTH
Art-Binge: Grad Show Edition 2020 [Stellenbosch and Cape Town Creative Academy]
A snazzy roundup of some of the work on display at the graduate exhibitions at … [Read more...] about Art-Binge: Grad Show Edition 2020 [Stellenbosch and Cape Town Creative Academy]
Music, History and Ruin
This limited offer consists of Siemon Allen’s Damaged Archive (Soweto) and … [Read more...] about Music, History and Ruin
An enclosure and an opening: Jeanne Gaigher’s ‘tango’
An interior is a place that keeps the people inside safe from rain, wind, … [Read more...] about An enclosure and an opening: Jeanne Gaigher’s ‘tango’
Elastic Beings: Simphiwe Ndzube’s ‘The Fantastic Ride to Gwadana’
Simphiwe Ndzube’s 'The Fantastic Ride to Gwadana' worldscape, at Stevenson … [Read more...] about Elastic Beings: Simphiwe Ndzube’s ‘The Fantastic Ride to Gwadana’
Rendering the Unseeable: on Pardon Mapondera
Towards the end of 2020, controversial stories about South African and … [Read more...] about Rendering the Unseeable: on Pardon Mapondera
Art-Binge: Grad Show Edition 2020 [Rhodes and Ruth Prowse]
A snazzy roundup of some of the work on display at the graduate exhibitions at … [Read more...] about Art-Binge: Grad Show Edition 2020 [Rhodes and Ruth Prowse]
