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Stevenson

A review by Ben Albertyn

I have lived everywhere, mostly on ships: Penny Siopis’ ‘Never The Same Water Twice: Nine Films...'

A feature by Isabella Kuijers

Frieze is a lot: 2022 roundup

A news item by Artthrob

News Roundup: 7 October 2022

A review by Sihle Motsa

Haunting space of blue: Ruth Ige’s ‘Freedom’s Recurring Dream’

A feature by Setumo-Thebe Mohlomi

Mediator of curiosity: Mawande Ka Zenzile’s ‘Nqanda nanga’manzi engene’ndlini’

A review by Annabelle Wienand

Speculative fiction and speaking in signs: Mack Magagane’s ‘Ellipse’

A review by Nkgopoleng Moloi

Cortège, Collision, Composure, Ceremony: Shine Shivan and Jane Alexander in ‘Juxtapositions’

A review by Tim Leibbrandt

Images that Linger: Jo Ractliffe’s ‘Being There’

A review by Lindsey Raymond

To cry at nothing but pixels: ‘My whole body changed into something else’ at Stevenson

A feature by Vusumzi Nkomo

Black & Blue: On Khanyisile Mawhayi and Sabelo Mlangeni

A feature by Nicoletta Michaletos

Burden of Context: Zanele Muholi at Tate Modern

A review by Noah Swinney

Bricolage and Schizophrenia: Stevenson’s ‘Studios’

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