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Chad Rossouw

Gabrielle Raaf Old Masters (Wild Almond), 2017. Water-based oil on canvas
A review by Isabella Kuijers

Specificity and Abstraction: Gabrielle Raaf’s ‘Trail’

A news item by Artthrob

Mthethwa Trial Judgement in brief

Andrew Tshabangu, Rosary Room 2435, 2010. Archival pigment print
A review by Philiswa Lila

Tracks and Traces: Andrew Tshabangu’s ‘Footprints’

Thania Petersen God Save Our Hedge 1 (Botanical Imperialism Series, 2015. Photographic print
A review by Amie Soudien

Backwards and Forwards: Thania Petersen’s ‘Remnants’

Jody Paulsen Pushing Thirty, 2016. Felt collage
A review by Lloyd Pollak

A Sisyphean Push: Jody Paulsen’s ‘Pushing Thirty’

A feature by Artthrob

Cape Town Art Fair ’17: ArtThrob’s Must-See Highlights

Jared Ginsburg. Music stands, motors and various objects, dimensions variable (height: 149 cm)
A review by Isabella Kuijers

Playing not practicing: Jared Ginsburg’s ‘Interludes’

Jake Singer, Roark's Evacuation Plan, 2016. Appropriated staircase, mild steel, 5 x 5 x 6m
A feature by Houghton Kinsman

Sculptures for the Internet: In conversation with Jake Singer

Judith Mason, The Man who Sang and the Woman who kept Silent (Triptych), 1998. Composite view of the triptych
A story by Kim Berman

A Tribute to Judith Mason

Lynette Bester, Fissure II, 2016. Wooden components from 1890's stand up piano donated by Ilona Steverlynck-McCallum
A feature by Chad Rossouw

Fissure and Dust: In Conversation with Lynette Bester

Portia Zvavahere What I See Beyond Feeling [1], 2016. Oil-based printing ink and oil bar on canvas
A review by Gontse Mathabathe

Between love and dreams: Portia Zvavahera’s ‘What I See Beyond Feeling’

Lungiswa Gqunta Lawn 1 (Detail), 2016. Wood, broken bottles, and petrol
A review by Lloyd Pollak

Fissures: ‘Negative Space’ at Whatiftheworld

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Design by Blackman Rossouw

Mikhael Subotzky, Johnny Fortune, 2004. Pigment inks on archival cotton rag paper, 56 x 78.4 cm

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