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A news item by Artthrob

Rest in peace: Andrew Da Conceicao

A review by Sihle Motsa

Plantation Inheritances: Zenaéca Singh in ‘US’

A review by Nkhensani Mkhari

Otherscapes: A Meditation on South Africa’s Past, Present and Future

A review by Ben Albertyn

Tripping at the National Arts Festival

A feature by Marie-Louise Rouget

Don’t I know you from somewhere?: SA artists in Amsterdam

A review by Vusumzi Nkomo

On the Structure(s) of Abstraction: Mongezi Ncaphayi’s ‘Standard of Language’

A review by Ntokozo Dladla

Lines of sight: Thato Toeba’s ‘Phate lia Lekana’

A feature by Artthrob

All that carries us: A Q&A with Zanele Muholi

A feature by Setumo-Thebe Mohlomi

Novelty index: RMB Latitudes Art Fair

A review by Ben Albertyn

Convivial Tools: Khanya Mashabela’s ‘Common’

A review by Kim M Reynolds

Story and symbol: Faith Ringgold and Hank Willis Thomas’ ‘Freedom is Going Home’

A review by M Thesen Law

Process and practice: blank’s ‘IO’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Siemon Allen, Damaged Archive (Soweto), 2016. Archival pigment ink on Hahnemühle German Etching paper, Image size 51 x 51cm; Paper size 55 x 55cm

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