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A feature by Thuli Gamedze

The System Turn in Joburg Contemporary Art: Part I

A review by Ben Albertyn

I have lived everywhere, mostly on ships: Penny Siopis’ ‘Never The Same Water Twice: Nine Films...'

A story by Artthrob

Heritage for the future: An Interview with Islamic Arts Biennale Artistic Director Sumayya Vally

A review by Nkgopoleng Moloi

Time is an exaggeration: ‘The Future Is Behind Us’ at A4

A story by Artthrob

‘Je est un autre’: Winnie Sze on Ernest Mancoba and Sonja Ferlov

A review by Annabelle Wienand

The world in one drawing: Jan van Esch’s ‘Mitumba: Invasive Species’

A feature by Ben Albertyn

Project Spaces Are Back!

A review by Setumo-Thebe Mohlomi

Inviting good spirits: Buhlebezwe Siwani’s ‘iYeza’

A story by Artthrob

Emerging markets: An Interview with Durban Art Fair Director Lungelo Mkhize

A review by Thuli Gamedze

Perception, Instability: Kamil Hassim’s ‘Event Horizon’ at Number Four

A review by Barnabas Ticha Muvhuti

An ode to women’s protests: Sepideh Mehraban’s ‘Give Me Liberty or Give Me Death’

A review by Ben Albertyn

White People 101: Candice Breitz’s ‘Whiteface’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Sue Williamson, Amien Hendricks at the seven steps, District Six, 1981. Pigment inks on archival cotton paper, 50 x 67.5 cm

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