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A review by Nkgopoleng Moloi & Scott Eric Williams

Sound, light, movement: Warren Maroon’s ‘Reverence’

A news item by Artthrob

News Roundup: 21 October 2022

A review by Vusumzi Nkomo

Notes on soil & the subsurface: Inga Somdyala’s ‘ADAMAH’

A feature by Barnabas Ticha Muvhuti

Restitution is warranted: Voti Thebe on Zimbabwe’s pioneering paintings

A news item by Artthrob

News Roundup: 14 October 2022

A review by Dinika Govender

Treading dark waters: Ravelle Pillay and Nicholas Hlobo

A news item by Artthrob

News Roundup: 7 October 2022

A review by Misha Krynauw

A collective humming: Kamyar Bineshtarigh’s ‘Uncover’

A review by Sihle Motsa

Haunting space of blue: Ruth Ige’s ‘Freedom’s Recurring Dream’

A news item by Artthrob

News Roundup: 30 September 2022

A review by Fadzai Muchemwa

Violence and longing: Is Ons Nog ‘n Ding? at Lizamore & Associates

A review by Lukho Witbooi

Soul centre: Patrick Bongoy’s ‘Unseen Dimensions of the Known’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Richard Mudariki, Grilled, 2014. Chine-colle etching, 34 x 41 cm

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