• Skip to primary navigation
  • Skip to main content
  • Feature
  • Review
  • News
  • Archive
  • Things We Like
  • Shop

Primary

A review by Lifang Zhang & Barnabas Ticha Muvhuti

Site of Memory: Berni Searle’s ‘A Place in the Sun’

A review by Isabella Kuijers

Strength and Opacity: ‘The stronger we become’ at the 58th Venice Biennale

A feature by Misha Krynauw

Motherhood in Motion: Amy Ayanda Lester’s ‘Return to Land; Return to Skin’

A review by Keely Shinners

A Thing Woven: ‘Acts of Reading’ at Goodman

A review by Tymon Smith

Identification and Deconstruction: Mikhael Subotzky’s ‘Massive Nerve Corpus’

A review by Renée Holleman

One Hasty Day: National Arts Festival 2019

A review by Michael Smith

Decapitating Discourse: MJ Turpin’s ‘take me apart.’

A review by Ashraf Jamal

Joint-Solo: Dan Halter and Chris Soal at WHATIFTHEWORLD

A review by Khanya Mashabela

Subjective Nationhood: ‘The Botswana Pavilion: No Return’ at Gallery MOMO

A review by Percy Mabandu

A Mask that Refuses to Dance: ‘40 Years of Collecting’ at Standard Bank Gallery

A story by Artthrob

In Memory of David Koloane (1938-2019)

A review by Nkgopoleng Moloi

Banal and Celestial: Usha Seejarim’s ‘Transgressing Power’

Newer posts

Nothing more to show!

No more pages to load

  • About
  • Advertise
  • Contact

Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Nontsikelelo Veleko, Kepi in Bree Street and Nono> from the 'Beauty is in the eye of the Beholder' series. Pigment inks on archival cotton rag paper, Each: 42 x 29 cm

Buy

Great

Art