• Skip to primary navigation
  • Skip to main content
  • Feature
  • Review
  • News
  • Archive
  • Things We Like
  • Shop

Primary

A review by Keely Shinners

I didn’t come here to party: ‘Shooting Birds’

A feature by Sue Williamson

Remembering David Koloane

A review by Zintle Magazi

Curious Celestial Phenomena: Scott Eric Williams and Friend’s ‘Portals’

A review by Khanya Mashabela

Empathy and Sensitivity: David Koloane’s ‘A Resilient Visionary’

A review by Natasha Norman and Annemi Conradie

Mode of Mutuality: Io Makandal’s ‘Life in the entropics’

A review by Monique Pelser

Rules and Isolations: Edson Chagas’ ‘Factory of Disposable Feelings’

A review by Michael Smith

Levels of tenderness: Sanell Aggenbach’s ‘The Heart Has Many Rooms’

A review by Lifang Zhang & Barnabas Ticha Muvhuti

Site of Memory: Berni Searle’s ‘A Place in the Sun’

A review by Isabella Kuijers

Strength and Opacity: ‘The stronger we become’ at the 58th Venice Biennale

A feature by Misha Krynauw

Motherhood in Motion: Amy Ayanda Lester’s ‘Return to Land; Return to Skin’

A review by Keely Shinners

A Thing Woven: ‘Acts of Reading’ at Goodman

A review by Tymon Smith

Identification and Deconstruction: Mikhael Subotzky’s ‘Massive Nerve Corpus’

Newer posts

Nothing more to show!

No more pages to load

  • About
  • Advertise
  • Contact

Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Chad Rossouw, Cyclops. Giclee print on cotton rag, 40 x 40 cm

Buy

Great

Art