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A review by Renée Holleman

One Hasty Day: National Arts Festival 2019

A review by Michael Smith

Decapitating Discourse: MJ Turpin’s ‘take me apart.’

A review by Ashraf Jamal

Joint-Solo: Dan Halter and Chris Soal at WHATIFTHEWORLD

A review by Khanya Mashabela

Subjective Nationhood: ‘The Botswana Pavilion: No Return’ at Gallery MOMO

A review by Percy Mabandu

A Mask that Refuses to Dance: ‘40 Years of Collecting’ at Standard Bank Gallery

A story by Artthrob

In Memory of David Koloane (1938-2019)

A review by Nkgopoleng Moloi

Banal and Celestial: Usha Seejarim’s ‘Transgressing Power’

A feature by Thuli Gamedze

Time consciousness, and the Trouble with a Black Aesthetic

A review by Gemma Hart

Drowning and Denialism: Lady Skollie’s ‘Good & Evil’

A review by Chad Rossouw

Limits and Scales: Jo Ractliffe’s ‘Signs of Life’

A review by M Thesen Law

Parallel Worlds, Partial Bodies: Michaela Younge’s ‘Nothing Bad’

A review by Ashraf Jamal

Chicken and Egg: Maurice Mbikayi’s ‘Coucou Crumble’

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