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A feature by Thuli Gamedze

Time consciousness, and the Trouble with a Black Aesthetic

A review by Gemma Hart

Drowning and Denialism: Lady Skollie’s ‘Good & Evil’

A review by Chad Rossouw

Limits and Scales: Jo Ractliffe’s ‘Signs of Life’

A review by M Thesen Law

Parallel Worlds, Partial Bodies: Michaela Younge’s ‘Nothing Bad’

A review by Ashraf Jamal

Chicken and Egg: Maurice Mbikayi’s ‘Coucou Crumble’

A review by Keely Shinners

Limits and Reveals: Ashley Walters’ ‘White City’

A review by Misha Krynauw

Interconnected Creation: Peter Eastman’s ‘Tangled Hierarchies’

A review by Nkgopoleng Moloi

Sacred shapes, transcendent paint: Portia Zvavahera’s ‘Talitha Cumi’

A review by Cheriese Dilrajh

Making Art History: ‘IKHONO LASENATALI’ at KZNSA

A review by Lloyd Pollak

Romance and Plasticine: Mia Darling’s ‘Things to Hide Behind’

A review by Dave Mann

The Tension of Passing Time: Jabulani Dhlamini’s ‘Isisekelo’

A review by Ashraf Jamal

The Centre of a Star Of Lines: Connor Cullinan’s ‘11.11’

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