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Venice Biennale 2019: In conversation with curators Nkule Mabaso and Nomusa Makhubu
May Contain Trace Elements: Herman Mbamba and Cameron Platter’s ‘FR1000ID’
Intense Introspection, Uncanny Simplicity: Thandiwe Msebenzi and Bert Pauw at SMITH
Deadly Tranquility: Olivié Keck’s ‘Drop Dead Gorgeous’
Sculptural listening: ‘The Listening Room’
Shifting Cartography: ‘A Black Aesthetic’
Curatorial Care: A profile of Khumo Sebambo
Consoling Pleasures: Stephané E. Conradie’s ‘Domestic Lives, Nomadic Belongings’
He Takes Libraries With Him: A Personal Remembrance of Okwui Enwezor
Flâneurial Creations: Samson Kambalu’s ‘Nyasaland Analysand’
Catching the Wind: Yinka Shonibare’s ‘Trade Winds’
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