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Interconnected Creation: Peter Eastman’s ‘Tangled Hierarchies’
Sacred shapes, transcendent paint: Portia Zvavahera’s ‘Talitha Cumi’
Making Art History: ‘IKHONO LASENATALI’ at KZNSA
Romance and Plasticine: Mia Darling’s ‘Things to Hide Behind’
The Tension of Passing Time: Jabulani Dhlamini’s ‘Isisekelo’
The Centre of a Star Of Lines: Connor Cullinan’s ‘11.11’
The Inverted Funnel: James Webb’s ‘Three Dreams of the Sinking World’
Venice Biennale 2019: In conversation with curators Nkule Mabaso and Nomusa Makhubu
May Contain Trace Elements: Herman Mbamba and Cameron Platter’s ‘FR1000ID’
Intense Introspection, Uncanny Simplicity: Thandiwe Msebenzi and Bert Pauw at SMITH
Deadly Tranquility: Olivié Keck’s ‘Drop Dead Gorgeous’
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