• Skip to primary navigation
  • Skip to main content
  • Feature
  • Review
  • News
  • Archive
  • Things We Like
  • Shop

Primary

A review by Keely Shinners

Sculptural listening: ‘The Listening Room’

A review by Nkgopoleng Moloi

Shifting Cartography: ‘A Black Aesthetic’

A feature by Christa Dee

Curatorial Care: A profile of Khumo Sebambo

A review by Ashraf Jamal

Consoling Pleasures: Stephané E. Conradie’s ‘Domestic Lives, Nomadic Belongings’

A feature by Sue Williamson

He Takes Libraries With Him: A Personal Remembrance of Okwui Enwezor

A review by Tymon Smith

Flâneurial Creations: Samson Kambalu’s ‘Nyasaland Analysand’

A review by Isabella Kuijers

Catching the Wind: Yinka Shonibare’s ‘Trade Winds’

A review by Annemi Conradie

Staging Authenticity: Robert Slingsby’s ‘In/Dependence’

A story by Artthrob

From Our Archive: Remembering Okwui Enwezor

A review by M Thesen Law

Super Spectacle: Ed Young’s ‘HERO’

A review by Kopano Maroga

How to Remember. How to Mourn: Patrick Bongoy’s ‘Remains’

A review by Nolan Stevens

Solace and Whispers: Simphiwe Buthelezi’s ‘Lala La’

Newer posts

Nothing more to show!

No more pages to load

  • About
  • Advertise
  • Contact

Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Penny Siopis, Shame Pools, 2004. A three plate, colour etching with collaged found plastic objects on 300 gsm BFK Rives paper, 87 x 39.5 cm

Buy

Great

Art