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Professional Confessional: Banele Khoza’s ‘LOVE’
Fleeting Traces: Thierry Oussou’s ‘Before It Is Completely Gone’
Profiling: Candice Breitz’ ‘Love Story’
Ties That Bind: ‘I Am Because You Are: A Search For Ubuntu’ at the Standard Bank Gallery
Searching for Ubuntu: An interview with Usha Seejarim
Anatomy of (Collective) Apathy: Blessing Ngobeni’s ‘Enemy of Foe’
Pretty Vacant: ‘New Romantics’ at Barnard Gallery
Binary Coded: ‘POSTDIGITAL’ at Kalashnikovv
A Subtle Benediction: Igshaan Adams’ ‘Al Latîf’
Spotlight on Investec Cape Town Art Fair 2018
Not Blue Enough: Ghada Amer & Reza Farkhondeh’s ‘Love is a Difficult Blue’
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