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Jody Brand, A Rose is a Rose (performance at exhibition opening of 'You Can't Keep A Good Woman Down'). Installation view: Stevenson, Cape Town, 2017
A review by Thuli Gamedze

Defining Excellence: Jody Brand’s ‘You Can’t Keep a Good Woman Down’

Ruann Coleman, 'Certain Lengths', 2017.  Installation view: SMAC Gallery
A review by Isabella Kuijers

Weights and Measures: Ruann Coleman’s ‘Certain Lengths’

Mounir Fatmi, Mother Language, 2017. Steel blade and cut outs 150 cm diameter
A review by Nicola Kritzinger

Shadows on the Moon: Mounir Fatmi’s ‘Fragmented Memory’

Michael MacGarry, Parang,, 2017. Two-channel HD video, 11 minutes 34 seconds
A review by Chris Thurman

Agency and Amor Fati: Michael MacGarry’s ‘Show No Pain’

A review by Jean-Sylvain Tshilumba Mukendi

Bearers of Memory: Georges Senga Assani’s ‘Cette maison n’est pas à vendre et à vendre’

A review by Amie Soudien

Invisible, Intangible, Insensible: Barbara Wildenboer’s ‘The Invisible Gardener’

Swain Hoogervorst, Incomplete (Forest) III, 2017. Oil on Canvas
A review by Isabella Kuijers

Ends and Means: Swain Hoogervorst’s ‘Searching Eudaimonia’

Musa N. Nxumalo, Isigxagxa I, 2017. Gicleé print on Hahnemühle Photo Rag
A review by Philiswa Lila

Stranded Action: Musa N Nxumalo’s ’16 Shots’

A news item by Artthrob

Venice Biennale | Part 3

Tabita Rezaire, DEEP DOWN TIDAL(still), 2017. Hd video, 19min. Commissioned by Toke Lykkeberg for Citizen X – Human, Nature, And Robot Rights, Oregaard Museum, Denmark
A review by Motlatsi Khosi

Digital Utopia: Tabita Rezaire’s ‘Exotic Trade’

The entrance to the Giardini
A news item by Artthrob

Venice Biennale 2017 | Part 2

The MAC-VAL Museum
A feature by Sue Williamson

Sue Williamson’s Diary: Paris in the Springtime

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