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A feature by Chad Rossouw

Lessons in Conversation: An Interview with Katherine Bull

A review by Thuli Gamedze

The Black Woman’s Gaze: Florine Demosthene’s ‘The Burst’

A feature by Kira Kemper

Skirting the Fine Line between Philanthropy and Exigency: Johannesburg Art Gallery

A story by

Tim Leibbrandt

WhatsApp, Emails and Cape Town/Joburg Aesthetics: ArtThrob chats to SMITH and Kalashnikovv about ‘From...'

A review by Isabella Kuijers & Lloyd Pollak

Monochromatic polymorphism: Barend De Wet’s ‘Black, White and Everything In-Between’

A review by

Chad Rossouw

Interiors and Exteriors: ‘Home Truths’ at iSANG

A feature by Khanya Mashabela

Vertiginous Awe: Video Art and Internet Aesthetics

A feature by Sue Williamson

Sue Williamson’s Diary: A US marathon with a side trip to Dakar

Gerda Scheepers Showing method, showing message, 2016. Wood, fabric. 182 x 240 cm
A review by Felix Kawitzky

The One With the Couch: Gerda Scheepers’ ‘Sitcom’

A review by Thuli Gamedze

Floating in a Mind Map: Moshekwa Langa’s ‘Ellipses’

A review by Isabella Kuijers

Copper Sheen and Stark Reflections: Rowan Smith & Xhanti Zwelendaba’s ‘Chamber of Mines’

A feature by Nicola Kritzinger

A Place In Time: Interview With Helen Pheby

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Design by Blackman Rossouw

Candice Breitz, Ex Libris South Africa. Cibachrome photograph, 24 x 60 cm

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