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A review by Tim Leibbrandt

Escape Fantasies and the Fountain of Youth: Pieter Hugo’s ‘1994’

Keneilwe Mokoena Surface, 2015. Pen on canvas
A review by Courtney Scott

Politics, Paint and Parallels: ‘Continuum’ at the National Arts Festival

Lerato Shadi Mosako Wa Nako, 2016. Performance
A review by Sikhumbuzo Makandula

A River of Blood Flows: Lerato Shadi’s ‘Noka Ya Bokamoso’

A feature by Sue Williamson

Sue Williamson’s Diary: Blue days in Dakar, African videos in Washington and a party in Joburg

A news item by Artthrob

Invitation to Tender: Venice 2017

A feature by Khanya Mashabela

iQhiya: In Defense of Art Collectives

Linda Stupart, Virus, 2016. Performance: Arcadia Missa, London. Photograph: Joseph Noonan-Ganley
A feature by Felix Kawitzky

The Lion, the Witches, the Moon, the Star, Death and the Devil: A six card interview with Linda Stupart

A feature by Chad Rossouw

Lessons in Conversation: An Interview with Katherine Bull

A review by Thuli Gamedze

The Black Woman’s Gaze: Florine Demosthene’s ‘The Burst’

A feature by Kira Kemper

Skirting the Fine Line between Philanthropy and Exigency: Johannesburg Art Gallery

A story by

Tim Leibbrandt

WhatsApp, Emails and Cape Town/Joburg Aesthetics: ArtThrob chats to SMITH and Kalashnikovv about ‘From...'

A review by Isabella Kuijers & Lloyd Pollak

Monochromatic polymorphism: Barend De Wet’s ‘Black, White and Everything In-Between’

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