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A review by

Chad Rossouw

Interiors and Exteriors: ‘Home Truths’ at iSANG

A feature by Khanya Mashabela

Vertiginous Awe: Video Art and Internet Aesthetics

A feature by Sue Williamson

Sue Williamson’s Diary: A US marathon with a side trip to Dakar

Gerda Scheepers Showing method, showing message, 2016. Wood, fabric. 182 x 240 cm
A review by Felix Kawitzky

The One With the Couch: Gerda Scheepers’ ‘Sitcom’

A review by Thuli Gamedze

Floating in a Mind Map: Moshekwa Langa’s ‘Ellipses’

A review by Isabella Kuijers

Copper Sheen and Stark Reflections: Rowan Smith & Xhanti Zwelendaba’s ‘Chamber of Mines’

A feature by Nicola Kritzinger

A Place In Time: Interview With Helen Pheby

A review by Michael Smith

Emptied-Out Land Myths: Walter Meyer’s ‘Hinterland’

Alma Martha Invite
A feature by Houghton Kinsman

Action Intervention Hostess Team: Alma Martha

Lungiswa Gqunta, What’s this monument thing?! (detail), 2016. Cement, glass bottles, bed sheets and found fabric, 130 x 63 x 63 cm
A review by

Tim Leibbrandt

Monumental Reassessment: ‘New Monuments’ at Commune.1

A review by Portia Malatjie

Maths and Bodies: Pamela Phatsimo Sunstrum’s ‘Polyhedra’

A feature by Kira Kemper

Crushing on rocks: Skye + Karin at GoetheonMain

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