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A review by Nicola Kritzinger

Disconcerting Securities: Carla Busuttil’s ‘choice.click.bait.’

A review by Tymon Smith

Singing Agnus Dei in the shower: Jake Singer’s ‘CATASTROPHES’

Sethembile Msezane performing in front of the Rhodes statue. Photograph: Charlie Shoemaker/Getty Images Europe
A feature by

Chad Rossouw

Censorship doesn’t work bottom up: On the UCT art controversy

A feature by Sue Williamson

Sue Williamson’s Diary: Not since the painting of the Sistine Chapel …

A review by Quanta Gauld

Anxious Landscapes: Pastoral Abstraction at Everard Read

Moshekwa Langa Untitled, 2008/9. mixed media on paper 140x100cm.
A story by Artthrob

Archive Dive: Moshekwa Langa

A review by Isabella Kuijers

Gory Impasto: Johann Louw’s ‘Loog’

A review by

Chad Rossouw

Imaginary Arcs: Roger Palmer’s ‘Spoor’

Buhlebezwe Siwani Zem'inkomo Nongqawuse, 2015. Performance still: STEVENSON, Cape Town
A feature by Houghton Kinsman

In or Out? Joost Bosland on Stevenson’s Ramp Project

A review by Thuli Gamedze

Centering the human as the site of memorial: Jabulani Dhlamini’s ‘Re-Capture’

A review by Isabella Kuijers

Gold mine or mine field? Jonah Sack’s ‘Obstruction’

A review by Same Mdluli

Diary and Materiality: Mawande ka Zenzile’s ‘Mawande ka Zenzile’

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