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A review by

Chad Rossouw

Imaginary Arcs: Roger Palmer’s ‘Spoor’

Buhlebezwe Siwani Zem'inkomo Nongqawuse, 2015. Performance still: STEVENSON, Cape Town
A feature by Houghton Kinsman

In or Out? Joost Bosland on Stevenson’s Ramp Project

A review by Thuli Gamedze

Centering the human as the site of memorial: Jabulani Dhlamini’s ‘Re-Capture’

A review by Isabella Kuijers

Gold mine or mine field? Jonah Sack’s ‘Obstruction’

A review by Same Mdluli

Diary and Materiality: Mawande ka Zenzile’s ‘Mawande ka Zenzile’

A review by Felix Kawitzky

Dead Men, New Paintings: Zander Blom’s ‘New Paintings’

Michael Linders Inkomazi, 2016. Ink on paper
A review by Themba Tsotsi

The Exile of Local Icons: Michael Linders’ ‘Exile’

Meleko Mokgosi Comrades I, 2015. Two panels, oil on canvas; bleach on portrait linen.
A review by Sinazo Chiya

A Comradeship of Stillness: Meleko Mokgosi’s ‘Comrades’

SWEAT protestors at the beginning of the trial in 2014 Picture: Aletta Harrison/EWN.
A news item by Artthrob

Mthethwa Trial Update: No.2

A feature by Lwandile Fikeni

A conversation with Roger Ballen: The Repressive Nature of Society

A feature by Sue Williamson

Sue Williamson’s Diary: Window over a lost district

A review by Dave Mann

The absence of knowledge through the excess of media: Alfredo Jaar’s ‘Amilcar, Frantz, Patrice and...'

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