• Skip to primary navigation
  • Skip to main content
  • Feature
  • Review
  • News
  • Archive
  • Things We Like
  • Shop

Review

A review by Tim Leibbrandt

Images that Linger: Jo Ractliffe’s ‘Being There’

A review by Sean O'Toole

Acts of Composition at the Threshold: Amber Moir’s ‘Composition by Field’

A review by Vusumzi Nkomo

Cartographic Entangle­ments: Nolan Oswald Dennis’s ‘conditions’

A review by Khumo Sebambo

Everywhen: ‘Bathini Abafazi?’ at Gallery Fanon

A review by Keely Shinners

Family albums: Lorraine Kalassa & Sitaara Stodel

A student review by Jared Laggar

Hope and Nature: ‘I have made a place’ at Norval Foundation

A student review by Anya Brilus

More than just a 3D Portrait: Georgina Gratrix’s ‘The Reunion’

A student review by Jenna Cawood

My Home and Your Home: ‘I have made a place’ at Norval Foundation

A review by Lindsey Raymond

To cry at nothing but pixels: ‘My whole body changed into something else’ at Stevenson

A review by Barnabas Ticha Muvhuti

Return to source: Pyda Nyariri’s ‘Artist Room’

A review by Noah Swinney

Among the Asphodels: Bronwyn Katz’s ‘ I turn myself into a star and visit my loved ones...'

A review by Nkgopoleng Moloi

Beauty and Prisons: ‘I have made a place’ at Norval Foundation

Newer posts

Nothing more to show!

No more pages to load

  • About
  • Advertise
  • Contact

Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

William Kentridge, Act III scene 1, 2017. Linocut on paper with hand-colouring, 44 x 39.5cm

Buy

Great

Art