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Review

A review by Isabella Kuijers

Desire Lines: Igshaan Adams’ ‘Kicking Dust’ at Hayward Gallery

A review by Olga Speakes

Impossible Encounters: ‘Territories Between Us’ at ISANG

A review by Anna Stielau

The Difference Between Losing and Getting Lost: Willem Boshoff’s ‘Word Woes’

A review by Catherine Rudolph

Screening Connectivity: ‘Not Angels or Algorithms, Only Human Error’ at WHATIFTHEWORLD

A review by Lukho Witbooi

Spiritual Cleansing: Pardon Mapondera’s ‘Hutsanana’

A review by Misha Krynauw

Effulgent Presence: Fanie Buys’s ‘Miss’

A review by Annabelle Wienand

Erasure and Clarity: Jean Brundrit’s ‘Over the Horizon’

A review by Noah Swinney

Bricolage and Schizophrenia: Stevenson’s ‘Studios’

A review by Keely Shinners

Caught in a Boundary: Wim Botha’s ‘The River’

A review by Lukho Witbooi

Earth and Self: Michele Mathison’s ‘Over and Over’

A review by Nikita Keogotsitse

Material Frequencies: Paul Maheke’s ‘Vanille Bleu’

A review by Vusumzi Nkomo

Radical (anti)citizenry: Meschac Gaba’s ‘Citoyen du Monde’

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