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insight_

A review by Lucienne Bestall

In Bed with My Sister: Nico Athene’s ‘We Need New Archetypes’

A feature by Ashraf Jamal

Perversity-Divinity-Wonder: The AVA, 50 Years in the Making

A review by Tim Leibbrandt

Images that Linger: Jo Ractliffe’s ‘Being There’

A review by Sean O'Toole

Acts of Composition at the Threshold: Amber Moir’s ‘Composition by Field’

A feature by Nikita Keogotsitse

Resist death, choose life: A conversation with Luyanda Zindela

A review by Vusumzi Nkomo

Cartographic Entangle­ments: Nolan Oswald Dennis’s ‘conditions’

A review by Khumo Sebambo

Everywhen: ‘Bathini Abafazi?’ at Gallery Fanon

A feature by Misha Krynauw

Pivot Point: on Gaelen Pinnock and Mia Thom

A review by Keely Shinners

Family albums: Lorraine Kalassa & Sitaara Stodel

A feature by Ashraf Jamal

Segue In Blue: on Nelson Makamo’s Blue Series

A review by Lindsey Raymond

To cry at nothing but pixels: ‘My whole body changed into something else’ at Stevenson

A review by Barnabas Ticha Muvhuti

Return to source: Pyda Nyariri’s ‘Artist Room’

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Walter Oltmann, Lace. Etching on Hahnemuhle paper, 78.5 x 53.5 cm

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