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insight_

A review by Noah Swinney

Among the Asphodels: Bronwyn Katz’s ‘ I turn myself into a star and visit my loved ones...'

A review by Nkgopoleng Moloi

Beauty and Prisons: ‘I have made a place’ at Norval Foundation

A review by Isabella Kuijers

Desire Lines: Igshaan Adams’ ‘Kicking Dust’ at Hayward Gallery

A review by Olga Speakes

Impossible Encounters: ‘Territories Between Us’ at ISANG

A review by Anna Stielau

The Difference Between Losing and Getting Lost: Willem Boshoff’s ‘Word Woes’

A feature by Barnabas Ticha Muvhuti & Fadzai Muchemwa

Veiled Social Commentary: Wezile Mgibe’s ‘Umdiyadiya’

A review by Catherine Rudolph

Screening Connectivity: ‘Not Angels or Algorithms, Only Human Error’ at WHATIFTHEWORLD

A feature by Vusumzi Nkomo

Black & Blue: On Khanyisile Mawhayi and Sabelo Mlangeni

A review by Lukho Witbooi

Spiritual Cleansing: Pardon Mapondera’s ‘Hutsanana’

A review by Misha Krynauw

Effulgent Presence: Fanie Buys’s ‘Miss’

A feature by Nicoletta Michaletos

Burden of Context: Zanele Muholi at Tate Modern

A review by Annabelle Wienand

Erasure and Clarity: Jean Brundrit’s ‘Over the Horizon’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Lauren Palte, Untitled (after Rembrandt). Hand-print on fibre paper, 37.2 x 28.9 cm

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