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insight_

A review by

Tim Leibbrandt

Intrinsic Field: Wim Botha’s ‘Heliostat’

A feature by Artthrob

Quality and Growth: In conversation with ICTAF’s Laura Vincenti

A review by Cheriese Dilrajh

Uncovering Hidden Narratives: ‘Proclamation 73’ at Durban Art Gallery

A review by Tymon Smith

Imagined Topographies: Gerhard Marx’s ‘Ecstatic Archive’

A review by Kopano Maroga

A Gathering of Sorts: Kaloki Nyamai’s ‘Mwaki Nginya Evinda Enge’

A review by Nkgopoleng Moloi

Resisting Categories: ‘Mating Birds Vol.2’ at KZNSA

A review by Ashraf Jamal

The Grammar of Suffering: Nolan Oswald Dennis’s ‘Options’

A review by Isabella Kuijers

Everyday dissolution: Mia Chaplin’s ‘Mouth’

A review by Christa Dee

Green Expectations: Jody Paulsen’s ‘Water Me’

A review by Lucienne Bestall

Stone Cold: Alfredo Jaar’s ‘Men Who Cannot Cry’

A feature by Chad Rossouw

Memory, metonym and optimism: in conversation with Alfredo Jaar

A review by Scott Eric Williams

Methodologies of Creative Practice: ‘Still Life & Life Drawings’ at ISANG

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

William Kentridge, Act III scene 1, 2017. Linocut on paper with hand-colouring, 44 x 39.5cm

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