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Musa N. Nxumalo, Isigxagxa I, 2017. Gicleé print on Hahnemühle Photo Rag
A review by Philiswa Lila

Stranded Action: Musa N Nxumalo’s ’16 Shots’

Tabita Rezaire, DEEP DOWN TIDAL(still), 2017. Hd video, 19min. Commissioned by Toke Lykkeberg for Citizen X – Human, Nature, And Robot Rights, Oregaard Museum, Denmark
A review by Motlatsi Khosi

Digital Utopia: Tabita Rezaire’s ‘Exotic Trade’

Viviane Sassen, Gallopp, 2017. Archival pigment ink and collage on Baryta paper
A review by Gontse Mathabathe

Unsettling Fecundity: Viviane Sassen’s ‘Of Mud and Lotus’

Jessica Webster, Untitled: Layla - diptych, 2017. Wax and oil on canvas
A review by Amie Soudien

The Sanctuary Disturbed: Jessica Webster’s ‘Wisteria’

Rebecca Haysom, Untitled (Steeple Leg), 2017. Collage on paper
A review by Nicola Kritzinger

The Cutting Room Floor: Rebecca Haysom’s ‘The Tiger’s Bride’

A feature by Artthrob

Venice Biennale 2017: ArtThrob talks Installation with Brendan Copestake

William Kentridge Back Flip, 1991. Lithograph
A feature by Artthrob

Resale Rights and Sustainability: In conversation with Aspire Auctions

Lucy MacGarry
A feature by

Tim Leibbrandt

Venice Biennale 2017: ArtThrob chats to South African Pavilion Curator Lucy MacGarry

Sanell Aggenbach Elysium, 2017. Oil on canvas, 100 x 127 cm
A review by Felix Kawitzky

Trace Decay: Sanell Aggenbach’s ‘Bend to Her Will’

Dorothee Kreutzfeldt, extensions to the lot line 1, 2017. Acrylic and mixed media on canvas, 140 x 180 cm
A review by Quanta Gauld

Constructed Cities: Dorothee Kreutzfeldt’s ‘Extensions to the Lot Line’

Mikhael Subotzky WYE, 2016. Three-channel video installation
A review by Lwandile Fikeni

Manufacturing Otherness from Within: Mikhael Subotzky’s ‘WYE’

Gabrielle Raaf Old Masters (Wild Almond), 2017. Water-based oil on canvas
A review by Isabella Kuijers

Specificity and Abstraction: Gabrielle Raaf’s ‘Trail’

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Dineo Sheshee Bopape, Chat-Scat. Screenprint on archival cotton rag paper, 66 x 50.5 cm

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