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Brett Murray, Again/Again (Monumental), 2015. Bronze, 250 x 182 x 265 cm
A review by Tymon Smith

😂 Until You 😭: Brett Murray’s ‘Again Again’

A feature by Valeria Geselev

Ha! Ha! I Know Who You Are; Beneath Those Fine Clothes: The Art of Lesiba Mabitsela

Andrew Tshabangu, Rosary Room 2435, 2010. Archival pigment print
A review by Philiswa Lila

Tracks and Traces: Andrew Tshabangu’s ‘Footprints’

Thania Petersen God Save Our Hedge 1 (Botanical Imperialism Series, 2015. Photographic print
A review by Amie Soudien

Backwards and Forwards: Thania Petersen’s ‘Remnants’

Blessing Ngobeni, Save This Democracy, 2016. Mixed media on canvas, 164 x 350 cm
A review by Motlatsi Khosi

Black Art, White Galleries: Blessing Ngobeni’s ‘Masked Reality’

Lakin Ogunbanwo, I Looked Into Myself, 2016. Light-jet print, 100 x 150 cm
A review by Percy Mabandu

Imagining the Spoken Colour of Skin: Lakin Ogunbanwo’s ‘We Must Not Be Looking’

Sethembile Msezane, Chapangu- The Day Rhodes Fell, 2015.
A feature by Kopano Maroga

The Poetics of Remembrance as Resistance: The Work of Sethembile Msezane

Rudi van der Merwe, Trophée. Image: Beatrix Gyenes
A feature by Valeria Geselev

Stepping Out of the Centre: Live Art Festival 2017

Jody Paulsen Pushing Thirty, 2016. Felt collage
A review by Lloyd Pollak

A Sisyphean Push: Jody Paulsen’s ‘Pushing Thirty’

Clive van den Berg, A pile of stones(detail), 2016.
A review by Tymon Smith

Conundrums that Tear at the Psyche: Clive van den Berg’s ‘A Pile of Stones’

Robin Rhode, Paradise (detail), 2016. C-print, 56 x 70cm
A review by Thuli Gamedze

On Product Versus Process: Robin Rhode’s ‘Paths and Fields’

Jared Ginsburg. Music stands, motors and various objects, dimensions variable (height: 149 cm)
A review by Isabella Kuijers

Playing not practicing: Jared Ginsburg’s ‘Interludes’

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