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insight_

A review by Portia Malatjie

Maths and Bodies: Pamela Phatsimo Sunstrum’s ‘Polyhedra’

A feature by Kira Kemper

Crushing on rocks: Skye + Karin at GoetheonMain

A review by Nicola Kritzinger

Disconcerting Securities: Carla Busuttil’s ‘choice.click.bait.’

A review by Tymon Smith

Singing Agnus Dei in the shower: Jake Singer’s ‘CATASTROPHES’

Sethembile Msezane performing in front of the Rhodes statue. Photograph: Charlie Shoemaker/Getty Images Europe
A feature by

Chad Rossouw

Censorship doesn’t work bottom up: On the UCT art controversy

A review by Quanta Gauld

Anxious Landscapes: Pastoral Abstraction at Everard Read

A review by Isabella Kuijers

Gory Impasto: Johann Louw’s ‘Loog’

A review by

Chad Rossouw

Imaginary Arcs: Roger Palmer’s ‘Spoor’

Buhlebezwe Siwani Zem'inkomo Nongqawuse, 2015. Performance still: STEVENSON, Cape Town
A feature by Houghton Kinsman

In or Out? Joost Bosland on Stevenson’s Ramp Project

A review by Thuli Gamedze

Centering the human as the site of memorial: Jabulani Dhlamini’s ‘Re-Capture’

A review by Isabella Kuijers

Gold mine or mine field? Jonah Sack’s ‘Obstruction’

A review by Same Mdluli

Diary and Materiality: Mawande ka Zenzile’s ‘Mawande ka Zenzile’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Nontsikelelo Veleko, Kepi in Bree Street and Nono> from the 'Beauty is in the eye of the Beholder' series. Pigment inks on archival cotton rag paper, Each: 42 x 29 cm

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