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Moses Tladi, The House in Kensington BUndated,Oil on masonite
A review by Nkule Mabaso

A Special Exhibit of horror vacui : Moses Tladi at ISANG

A review by Same Mdluli

Jazz, Institutions and Relevance: Thomas’ ‘Young, Gifted and Black’

Hairstyle advert, Bree Street, photo: Mpho Matsipa
A feature by Kira Kemper

The Architecture of Hair

Suzanne Duncan/ Dale Washkansky, Leftovers , 2015. Animal bones, dimensions variable
A review by Thuli Gamedze

Whose ‘Death Speaks’?

A review by Lloyd Pollak

Colour, Blur, Memory: Kate Gottgens’ ‘Infinite Loop’

A feature by

Chad Rossouw

Intermedia and Social Critique

A review by Isabella Kuijers

Manuscript Truths: Adejoke Tugbiyele’s ‘Testimony’

A feature by Houghton Kinsman

This is not an interview: Houghton Kinsman in conversation with Alexandra Ross

A review by Lloyd Pollak

The Light of Revelation: Jan-Henri Booyens’ ‘Whiteout’

Jared Ginsburg, 'Two Ends of a Line', 2015, Installation view, FNB Joburg Art Fair
A feature by

Tim Leibbrandt

Re-encountering ideas with joy and excitement: in conversation with Jared Ginsburg

Elgin Rust, Trading Daisy, 2015, 16 pieces of cotton wood, 58 x 73 x 30 cm
A review by Thuli Gamedze

Tensions Between Art and Site: Joburg Fringe 2015

A feature by Alexander Opper

Recovering and Uncovering Wim Botha

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