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Tertiary

A review by Lucienne Bestall

Thin Black Line: Blake Daniels and Dorothee Kreutzfeldt’s City Without a Sun

A review by Tymon Smith

Immersive Intelligence: Mary Sibande’s ‘A Crescendo Of Ecstasy’

A review by Ashraf Jamal

Masterful Visceral: Lungiswa Gqunta’s ‘Qwitha’

A review by Misha Krynauw

Connection in the Age of Connectivity: Dada Khanyisa’s ‘Bamb’iphone’

A review by Michael Smith

Surrealism and the Self: Chris Soal’s ‘Orbits of Relating’

A review by Kopano Maroga

Material Meditations: Nicholas Hlobo and Cinga Samson’s ‘Umthamo’

A review by M Thesen Law

Fragments on Belinda Blignaut’s ‘Thrown’

A review by

Chad Rossouw

Restless Optimism: Ashraf Jamal’s book ‘In the World’

A review by Lucienne Bestall

Repetition Fatigue: Dan Halter’s ‘Patience Can Cook a Stone’

A review by Tymon Smith

Beauty and Destruction: Matthew Hindley’s ‘Survey of Risk’

A review by M Thesen Law

Professional Confessional: Banele Khoza’s ‘LOVE’

A review by Chris Thurman

Fleeting Traces: Thierry Oussou’s ‘Before It Is Completely Gone’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Walter Oltmann, Lace. Etching on Hahnemuhle paper, 78.5 x 53.5 cm

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