• Skip to primary navigation
  • Skip to main content
  • Feature
  • Review
  • News
  • Archive
  • Things We Like
  • Shop

blank projects

A feature by Vusumzi Nkomo

Black & Blue: On Khanyisile Mawhayi and Sabelo Mlangeni

A review by Tim Leibbrandt

Borgesian Beauty: Kyle Morland’s ‘variations on a lofted bend’

A review by Isabella Kuijers

May Contain Trace Elements: Herman Mbamba and Cameron Platter’s ‘FR1000ID’

A review by Ashraf Jamal

Archaeology of an Absence: Bronwyn Katz’s ‘/ // ! ǂ’

A review by

Megan McNamara

Kyle Morland | Blank Projects

A review by Lucienne Bestall

Thin Black Line: Blake Daniels and Dorothee Kreutzfeldt’s City Without a Sun

A story by Artthrob

Billie Zangewa Announced as Featured Artist for FNB Joburg Art Fair 2018

A review by M Thesen Law

Fragments on Belinda Blignaut’s ‘Thrown’

A review by Kopano Maroga

A Subtle Benediction: Igshaan Adams’ ‘Al Latîf’

Igshaan Adams, Rahma (Grace), 2018. Glass and acrylic beads; 306 x 280 cm
A review by Artthrob

Igshaan Adams at blank

Cameron Platter, studio view: 9a8sdAAAAHJSSSZ33-p (Angel), 2017. Pencil on paper, 190 x 147cm
A review by Artthrob

Cameron Platter at blank

Bronwyn Katz, Wasgoed draad, 2017. Salvaged wire and mattress lining, 133 x 183 x 18cm
A review by Nicoletta Michaletos

Ghost Stories: Bronwyn Katz’s ‘Grondskryf’

Newer posts

Nothing more to show!

No more pages to load

  • About
  • Advertise
  • Contact

Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Claudette Schreuders, The Bystander 2. Lithographic print on cotton rag paper, 38 x 55.5 cm

Buy

Great

Art