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Chad Rossouw

Ed Young 'Cash or Card' | Installation view: SMAC Gallery, Johannesburg
A review by Michael Smith

I Know You’ll Win in the End: Ed Young’s ‘Cash or Card’

Pierre Fouché, Histeries, 2017. Encaustic on wood laminate
A review by Isabella Kuijers & Lloyd Pollak

Movement Ensnared: Pierre Fouché’s ‘Vreesaanjaende Verligting’

2017 Standard Bank Young Artist for Performance Art, Dineo Seshee Bopape at the National Arts Festival, Grahamstown
A review by Jean-Sylvain Tshilumba Mukendi

Singing History: Dineo Seshee Bopape’s ‘Sa Koša Ke Lerole’

Andy Warhol, Marilyn Monroe (Marilyn), 1967. From a portfolio of ten screenprints on paper. Bank of America Merrill Lynch Collection. The Andy Warhol Foundation for the Visual Arts, Inc
A review by Nicola Kritzinger

The Relevance of Warhol: ‘Warhol Unscreened’ at WAM

Sue Williamson, Messages from the Atlantic Passage. Installation view: Basel Unlimited 2017
A review by

Chad Rossouw

Sue Williamson’s Diary: Last month at Art Basel

Beth Diane Armstrong, ‘in perpetuum’. Installation view: Grahamstown National Arts Festival
A review by Jean-Sylvain Tshilumba Mukendi

Overlaps and Organisms: Beth Diane Armstrong’s ‘in perpetuum’

Kemang Wa Lehulere, Every Song, 2017. Wall carving
A review by Nicola Kritzinger

The Songs We are Taught to Sing: Kemang Wa Lehulere’s ‘Bird Song’

Ângela Ferreira, Hendrix Cullinan Shaft, 2012. Installation view: JAG, Johannesburg
A feature by

Chad Rossouw

In Between Spaces: In Conversation with Ângela Ferreira

Ruann Coleman, 'Certain Lengths', 2017.  Installation view: SMAC Gallery
A review by Isabella Kuijers

Weights and Measures: Ruann Coleman’s ‘Certain Lengths’

Mounir Fatmi, Mother Language, 2017. Steel blade and cut outs 150 cm diameter
A review by Nicola Kritzinger

Shadows on the Moon: Mounir Fatmi’s ‘Fragmented Memory’

A review by Jean-Sylvain Tshilumba Mukendi

Bearers of Memory: Georges Senga Assani’s ‘Cette maison n’est pas à vendre et à vendre’

A review by Amie Soudien

Invisible, Intangible, Insensible: Barbara Wildenboer’s ‘The Invisible Gardener’

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Design by Blackman Rossouw

Lisa Brice, Untitled, 2007. A three colour lithographic print on Arches paper, 66 x 50.5 cm

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