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Chad Rossouw

Swain Hoogervorst, Incomplete (Forest) III, 2017. Oil on Canvas
A review by Isabella Kuijers

Ends and Means: Swain Hoogervorst’s ‘Searching Eudaimonia’

Musa N. Nxumalo, Isigxagxa I, 2017. Gicleé print on Hahnemühle Photo Rag
A review by Philiswa Lila

Stranded Action: Musa N Nxumalo’s ’16 Shots’

The MAC-VAL Museum
A feature by Sue Williamson

Sue Williamson’s Diary: Paris in the Springtime

Viviane Sassen, Gallopp, 2017. Archival pigment ink and collage on Baryta paper
A review by Gontse Mathabathe

Unsettling Fecundity: Viviane Sassen’s ‘Of Mud and Lotus’

A story by Artthrob

Applications open for the 2017 Tierney Fellowship at the Market Photo Workshop

Jessica Webster, Untitled: Layla - diptych, 2017. Wax and oil on canvas
A review by Amie Soudien

The Sanctuary Disturbed: Jessica Webster’s ‘Wisteria’

Rebecca Haysom, Untitled (Steeple Leg), 2017. Collage on paper
A review by Nicola Kritzinger

The Cutting Room Floor: Rebecca Haysom’s ‘The Tiger’s Bride’

A review by Artthrob

Angela Ferreira’s ‘South Facing’ at JAG

William Kentridge Back Flip, 1991. Lithograph
A feature by Artthrob

Resale Rights and Sustainability: In conversation with Aspire Auctions

A feature by Artthrob

Chinafrika Conference

Mikhael Subotzky WYE, 2016. Three-channel video installation
A review by Lwandile Fikeni

Manufacturing Otherness from Within: Mikhael Subotzky’s ‘WYE’

Johannesburg’s Apartheid Museum, with the new art gallery jutting into the skyline on the right.
A feature by Sue Williamson

Sue Williamson’s Diary: John Berger and the Apartheid Museum

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Chad Rossouw, Cyclops. Giclee print on cotton rag, 40 x 40 cm

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