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A review by Barnabas Ticha Muvhuti

Essential Work: Jabulani Dhlamini’s ‘the everyday waiting’

A review by Misha Krynauw

Depths of Dreaming: Akudzwe Elsie Chiwa’s ‘Nocturnes’

A review by Keely Shinners

Let’s have a toast for the douche bags: Ed Young’s ‘I CAN SEE YOUR HOUSE FROM HERE’

A review by Vusumzi Nkomo

Black to the Fullest: Musa N. Nxumalo’s ‘We Are Running Out Of Hashtags!’

A feature by Ashraf Jamal

Object Time: Materialism, Material Ecology, Matter and Stuff

A review by Isabella Kuijers

Suppress the face and head: On self-portraits, Georgina Gratrix and Shane Malone

A feature by Lucienne Bestall

On Reflection: Mirrors and Bodies

A review by Keely Shinners

What’s been left behind: ‘Farewell to good good friends’ at SMITH

A feature by Misha Krynauw

Literature and Linework: On Zona Magadla, Emma Richardson, and Dale Lawrence

A review by Khumo Sebambo

In Front Of That Light: Athi-Patra Ruga’s ‘Interior/Exterior / Dramatis Personae’

A review by Dave Mann

Process and tension: Jessica Webster’s ‘A Horse with No Name’

A feature by Thuli Gamedze

Frequencies Too High: The Wretched and Dumile Feni at NAF

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Candice Breitz, Ex Libris South Africa. Cibachrome photograph, 24 x 60 cm

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