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A feature by

Tim Leibbrandt

ArtThrob chats to Mandla Sibeko and Lucy MacGarry

A story by

Tim Leibbrandt

FNB Art Joburg: Curators Nicole Siegenthaler and Banele Khoza on Gallery Lab

A news item by

Chad Rossouw

Bronwyn Katz wins FNB Art Prize

A feature by Ashraf Jamal

Soil and Dust and Hurt And Beauty: Modern Art Projects South Africa (MAPSA)

A review by Elizabeth Gunter

Between Image and Life: Ashley Walters’ ‘Parallel’

A review by Keely Shinners

I didn’t come here to party: ‘Shooting Birds’

A feature by Sue Williamson

Remembering David Koloane

A review by Zintle Magazi

Curious Celestial Phenomena: Scott Eric Williams and Friend’s ‘Portals’

A review by Khanya Mashabela

Empathy and Sensitivity: David Koloane’s ‘A Resilient Visionary’

A review by Natasha Norman and Annemi Conradie

Mode of Mutuality: Io Makandal’s ‘Life in the entropics’

A review by Monique Pelser

Rules and Isolations: Edson Chagas’ ‘Factory of Disposable Feelings’

A review by Michael Smith

Levels of tenderness: Sanell Aggenbach’s ‘The Heart Has Many Rooms’

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Design by Blackman Rossouw

Walter Oltmann, Lace. Etching on Hahnemuhle paper, 78.5 x 53.5 cm

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