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A review by

Chad Rossouw

Restless Optimism: Ashraf Jamal’s book ‘In the World’

A review by Isabella Kuijers

Filling the Void: Zander Blom’s ‘Posters and Paintings’

A review by Lucienne Bestall

Repetition Fatigue: Dan Halter’s ‘Patience Can Cook a Stone’

A feature by Sue Williamson

Sue Williamson’s Diary: Finding Mafalala and Nowruz

A review by Tymon Smith

Beauty and Destruction: Matthew Hindley’s ‘Survey of Risk’

Fanie Buys, Anyway this is Wonderwall, 2017. Oil on canvas
A review by Lloyd Pollak

Funny Not Funny: Fanie Buys’ ‘This Man’

A review by M Thesen Law

Professional Confessional: Banele Khoza’s ‘LOVE’

A review by Chris Thurman

Fleeting Traces: Thierry Oussou’s ‘Before It Is Completely Gone’

Candice Breitz 'Love Story' | Installation view: Goodman Gallery, Johannesburg
A review by Nicola Kritzinger

Profiling: Candice Breitz’ ‘Love Story’

A review by Tymon Smith

Ties That Bind: ‘I Am Because You Are: A Search For Ubuntu’ at the Standard Bank Gallery

A feature by Nolan Stevens

Searching for Ubuntu: An interview with Usha Seejarim

A review by Scott Eric Williams

Anatomy of (Collective) Apathy: Blessing Ngobeni’s ‘Enemy of Foe’

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