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A review by Felix Kawitzky

Xenoglossia: ‘Paradoxal Stranger’ at Gallery MOMO

A review by Tymon Smith

█████████: Vincent Bezuidenhout’s ‘Fail...'

A review by Thuli Gamedze

Peripheral Perspectives and the Question of the Land: Mohau Modisakeng’s ‘Lefa La Ntate’

Siwa Mgoboza The Department of Afrocorrectional Services II, 2016. Archival ink-jet print on Hahnemuhle Photorag
A feature by

Chad Rossouw

Promised Land: A conversation with Siwa Mgoboza

Kendall Buster, fragments and mutations 17, 2015-2016. Digital print from National Geographic Magazine images 1970-1980
A review by Isabella Kuijers

The City and The City: Kendall Buster’s ‘dis-assembling utopia’

A review by Tim Leibbrandt

Escape Fantasies and the Fountain of Youth: Pieter Hugo’s ‘1994’

Keneilwe Mokoena Surface, 2015. Pen on canvas
A review by Courtney Scott

Politics, Paint and Parallels: ‘Continuum’ at the National Arts Festival

Lerato Shadi Mosako Wa Nako, 2016. Performance
A review by Sikhumbuzo Makandula

A River of Blood Flows: Lerato Shadi’s ‘Noka Ya Bokamoso’

A feature by Sue Williamson

Sue Williamson’s Diary: Blue days in Dakar, African videos in Washington and a party in Joburg

A news item by Artthrob

Invitation to Tender: Venice 2017

A feature by Khanya Mashabela

iQhiya: In Defense of Art Collectives

Linda Stupart, Virus, 2016. Performance: Arcadia Missa, London. Photograph: Joseph Noonan-Ganley
A feature by Felix Kawitzky

The Lion, the Witches, the Moon, the Star, Death and the Devil: A six card interview with Linda Stupart

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Dan Halter, On Exactitude in Science. Woven archival prints on Ivory Enigma paper, 28 x 19 cm

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