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Review

A review by Khumo Sebambo

Hybrids and Trans­formations: ‘Contemporary Female Identities in the Global South’ at...'

A review by Michael Smith

Poetic Dismantling: Gerhard Marx’s ‘Near Distant’

A review by Barnabas Ticha Muvhuti

Essential Work: Jabulani Dhlamini’s ‘the everyday waiting’

A review by Misha Krynauw

Depths of Dreaming: Akudzwe Elsie Chiwa’s ‘Nocturnes’

A review by Keely Shinners

Let’s have a toast for the douche bags: Ed Young’s ‘I CAN SEE YOUR HOUSE FROM HERE’

A review by Vusumzi Nkomo

Black to the Fullest: Musa N. Nxumalo’s ‘We Are Running Out Of Hashtags!’

A review by Isabella Kuijers

Suppress the face and head: On self-portraits, Georgina Gratrix and Shane Malone

A review by Keely Shinners

What’s been left behind: ‘Farewell to good good friends’ at SMITH

A review by Khumo Sebambo

In Front Of That Light: Athi-Patra Ruga’s ‘Interior/Exterior / Dramatis Personae’

A review by Dave Mann

Process and tension: Jessica Webster’s ‘A Horse with No Name’

A review by Nkgopoleng Moloi

The Mind of the Stairs: ‘La courte échelle’ at Goodman Gallery

A review by Vusumzi Nkomo

Portals to the Source: Pitika Ntuli’s ‘Azibuyele Emasisweni’

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