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Sarah Biggs, Paradise, departing, 2016. Oil on paper, 77 x 62 cm
A review by Nicoletta Michaletos

Material Friction: Sarah Biggs’s ‘Waiting for Rain’

Katleho Kano Shoro, BA TENG: YourSelves ECHO, 2017. Installation with poem, installation by Tristan Nebe
A review by Quanta Gauld

Curiosity and Connection: ‘Calibrating Wonder*’ at SMITH Studio

Beth Diane Armstrong, ‘in perpetuum’. Installation view: Grahamstown National Arts Festival
A review by Jean-Sylvain Tshilumba Mukendi

Overlaps and Organisms: Beth Diane Armstrong’s ‘in perpetuum’

Kemang Wa Lehulere, Every Song, 2017. Wall carving
A review by Nicola Kritzinger

The Songs We are Taught to Sing: Kemang Wa Lehulere’s ‘Bird Song’

Ângela Ferreira, Hendrix Cullinan Shaft, 2012. Installation view: JAG, Johannesburg
A feature by

Chad Rossouw

In Between Spaces: In Conversation with Ângela Ferreira

Jody Brand, A Rose is a Rose (performance at exhibition opening of 'You Can't Keep A Good Woman Down'). Installation view: Stevenson, Cape Town, 2017
A review by Thuli Gamedze

Defining Excellence: Jody Brand’s ‘You Can’t Keep a Good Woman Down’

Ruann Coleman, 'Certain Lengths', 2017.  Installation view: SMAC Gallery
A review by Isabella Kuijers

Weights and Measures: Ruann Coleman’s ‘Certain Lengths’

Mounir Fatmi, Mother Language, 2017. Steel blade and cut outs 150 cm diameter
A review by Nicola Kritzinger

Shadows on the Moon: Mounir Fatmi’s ‘Fragmented Memory’

Michael MacGarry, Parang,, 2017. Two-channel HD video, 11 minutes 34 seconds
A review by Chris Thurman

Agency and Amor Fati: Michael MacGarry’s ‘Show No Pain’

A review by Jean-Sylvain Tshilumba Mukendi

Bearers of Memory: Georges Senga Assani’s ‘Cette maison n’est pas à vendre et à vendre’

A review by Amie Soudien

Invisible, Intangible, Insensible: Barbara Wildenboer’s ‘The Invisible Gardener’

Swain Hoogervorst, Incomplete (Forest) III, 2017. Oil on Canvas
A review by Isabella Kuijers

Ends and Means: Swain Hoogervorst’s ‘Searching Eudaimonia’

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