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A story by Artthrob

Spotlight on SOLO artists at Investec Cape Town Art Fair

A review by Ben Albertyn

Abyssal simulacra: Phokeng Setai’s ‘This stays between you and me’

A news item by Artthrob

South Africa announces artists and curators for the 2022 Venice Biennale

A review by Isabella Kuijers

All artworks are vessels: ‘Falling Awake’ by Reservoir

A review by Misha Krynauw

Many threads in a small window: The Cubicle series at Everard Read

A review by Annabelle Wienand

Not the only Modernist in town: The Zanzibari Years: Irma Stern

A review by Vusumzi Nkomo

Ingestion and structural antagonisms: Johannes Phokela’s ‘Only Sun in the Sky Knows How I...'

A feature by Keely Shinners

Images in Communion: A Letter from the Editor

A review by Ashraf Jamal

Deep Calls Unto Deep: Sibusiso Ngwazi’s Brilliant Wager

A review by Georgia Munnik

Viscous Porosity: Lukhanyo Mdingi & Jeanne Gaigher’s BRIDGES COLLECTION

A feature by Nolan Oswald Dennis

irregular notes

A feature by Misha Krynauw

Entangled within a world of others: an interview with Gabrielle Goliath

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Willem Boshoff, Political Candy Floss, 2009. A hand-printed single-colour Drypoint etching on Hahnemuhle Natural White 300gsm, Each: 78 x 106 cm

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