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A review by Sean O'Toole

Acts of Composition at the Threshold: Amber Moir’s ‘Composition by Field’

A feature by Nikita Keogotsitse

Resist death, choose life: A conversation with Luyanda Zindela

A review by Vusumzi Nkomo

Cartographic Entangle­ments: Nolan Oswald Dennis’s ‘conditions’

A review by Khumo Sebambo

Everywhen: ‘Bathini Abafazi?’ at Gallery Fanon

A feature by Misha Krynauw

Pivot Point: on Gaelen Pinnock and Mia Thom

A story by Artthrob

Spotlight on Investec Cape Town Art Fair Digital Event 2021

A story by Artthrob

Building Bridges: A conversation with ICTAF + miart

A story by Artthrob

Call for Proposals: the South Africa Pavilion at Venice Biennale 2022

A review by Keely Shinners

Family albums: Lorraine Kalassa & Sitaara Stodel

A student review by Jared Laggar

Hope and Nature: ‘I have made a place’ at Norval Foundation

A student review by Anya Brilus

More than just a 3D Portrait: Georgina Gratrix’s ‘The Reunion’

A student review by Jenna Cawood

My Home and Your Home: ‘I have made a place’ at Norval Foundation