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Intimate Anecdotes: Brett Charles Seiler’s ‘Timber’
Degrees of comparison: Brett Murray’s ‘Hide’
Painting with Words and Brush: Misheck Masamvu’s ‘Talk to me while I’m eating’
As we were in company: ‘Mixed Company’ at Norval Foundation
Faces Without Features : Georgina Gratrix’s ‘The Reunion’
Movable Archives: Serge Alain Nitegeka’s ‘Lost and Found’
Solidity and Malleability: Rory Emmett’s ‘HEWN’
Memory in Purgatory: Neville Starling’s ‘Worlds are Made and Unmade’
Accumulations: Zander Blom’s ‘Garage-ism’
Grace of Abstraction: On Mia Thom, Chris Soal, Jennifer Morrison, and Mark Rautenbach
Capitalist Poetics: ‘The Spectacle’ at THEFOURTH
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