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A review by Vusumzi Nkomo

History is happening: ‘The thing itself exists everywhere’ at blank projects

A review by Misha Krynauw

Intimate Anecdotes: Brett Charles Seiler’s ‘Timber’

A review by Michael Smith

Degrees of comparison: Brett Murray’s ‘Hide’

A review by Barnabas Ticha Muvhuti

Painting with Words and Brush: Misheck Masamvu’s ‘Talk to me while I’m eating’

A review by Isabella Kuijers

As we were in company: ‘Mixed Company’ at Norval Foundation

A review by Noah Swinney

Faces Without Features : Georgina Gratrix’s ‘The Reunion’

A review by Nkgopoleng Moloi

Movable Archives: Serge Alain Nitegeka’s ‘Lost and Found’

A review by Misha Krynauw

Solidity and Malleability: Rory Emmett’s ‘HEWN’

A review by Fadzai Muchemwa

Memory in Purgatory: Neville Starling’s ‘Worlds are Made and Unmade’

A review by Lucienne Bestall

Accumulations: Zander Blom’s ‘Garage-ism’

A feature by Ashraf Jamal

Grace of Abstraction: On Mia Thom, Chris Soal, Jennifer Morrison, and Mark Rautenbach

A review by Catherine Rudolph

Capitalist Poetics: ‘The Spectacle’ at THEFOURTH

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