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Chad Rossouw

A news item by

Chad Rossouw

Bronwyn Katz wins FNB Art Prize

A review by Elizabeth Gunter

Between Image and Life: Ashley Walters’ ‘Parallel’

A review by Keely Shinners

I didn’t come here to party: ‘Shooting Birds’

A feature by Sue Williamson

Remembering David Koloane

A review by Monique Pelser

Rules and Isolations: Edson Chagas’ ‘Factory of Disposable Feelings’

A review by Michael Smith

Levels of tenderness: Sanell Aggenbach’s ‘The Heart Has Many Rooms’

A review by Isabella Kuijers

Strength and Opacity: ‘The stronger we become’ at the 58th Venice Biennale

A story by Artthrob

Joburg Art Fair Relaunches as FNB Art Joburg

A review by Keely Shinners

A Thing Woven: ‘Acts of Reading’ at Goodman

A story by Artthrob

In Memory of David Koloane (1938-2019)

A review by Nkgopoleng Moloi

Banal and Celestial: Usha Seejarim’s ‘Transgressing Power’

A review by Chad Rossouw

Limits and Scales: Jo Ractliffe’s ‘Signs of Life’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Walter Oltmann, Lace. Etching on Hahnemuhle paper, 78.5 x 53.5 cm

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