Sacred shapes, transcendent paint: Portia Zvavahera’s ‘Talitha Cumi’
Romance and Plasticine: Mia Darling’s ‘Things to Hide Behind’
The Tension of Passing Time: Jabulani Dhlamini’s ‘Isisekelo’
The Inverted Funnel: James Webb’s ‘Three Dreams of the Sinking World’
May Contain Trace Elements: Herman Mbamba and Cameron Platter’s ‘FR1000ID’
Sculptural listening: ‘The Listening Room’
Shifting Cartography: ‘A Black Aesthetic’
Curatorial Care: A profile of Khumo Sebambo
He Takes Libraries With Him: A Personal Remembrance of Okwui Enwezor
Catching the Wind: Yinka Shonibare’s ‘Trade Winds’
Staging Authenticity: Robert Slingsby’s ‘In/Dependence’
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