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Review

A review by Lukho Witbooi

Imaginal Renderings: ‘Seeing the Invisible’ in Kirstenbosch Gardens

A review by Dinika Govender

Who Are We Now? ‘Liminal Identities in the Global South’ at JCAF

A review by Ben Albertyn

Abyssal simulacra: Phokeng Setai’s ‘This stays between you and me’

A review by Isabella Kuijers

All artworks are vessels: ‘Falling Awake’ by Reservoir

A review by Misha Krynauw

Many threads in a small window: The Cubicle series at Everard Read

A review by Annabelle Wienand

Not the only Modernist in town: The Zanzibari Years: Irma Stern

A review by Vusumzi Nkomo

Ingestion and structural antagonisms: Johannes Phokela’s ‘Only Sun in the Sky Knows How I...'

A review by Ashraf Jamal

Deep Calls Unto Deep: Sibusiso Ngwazi’s Brilliant Wager

A review by Georgia Munnik

Viscous Porosity: Lukhanyo Mdingi & Jeanne Gaigher’s BRIDGES COLLECTION

A review by Fadzai Muchemwa

Spectres of Memory: The Work of Thina Dube

A review by Chaze Matakala

To cast anew: ‘Everything was beautiful and nothing hurt’ at Open City

A review by Lucienne Bestall

In Bed with My Sister: Nico Athene’s ‘We Need New Archetypes’

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Lauren Palte, Untitled (after Rembrandt). Hand-print on fibre paper, 37.2 x 28.9 cm

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