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Skirting the Fine Line between Philanthropy and Exigency: Johannesburg Art Gallery
Monochromatic polymorphism: Barend De Wet’s ‘Black, White and Everything In-Between’
Interiors and Exteriors: ‘Home Truths’ at iSANG
Vertiginous Awe: Video Art and Internet Aesthetics
The One With the Couch: Gerda Scheepers’ ‘Sitcom’
Floating in a Mind Map: Moshekwa Langa’s ‘Ellipses’
Copper Sheen and Stark Reflections: Rowan Smith & Xhanti Zwelendaba’s ‘Chamber of Mines’
A Place In Time: Interview With Helen Pheby
Emptied-Out Land Myths: Walter Meyer’s ‘Hinterland’
Action Intervention Hostess Team: Alma Martha
Monumental Reassessment: ‘New Monuments’ at Commune.1
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